Authors:
- Uses popular music in the United States and United Kingdom in the years between 1970 and 2000 as the entrepôt to historical theory, and examines the history of popular music through alternative, or non-mainstream artists
- Fills a pedagogical gap for instructors teaching courses on historical theory and methodologies
- Presents historical theory and methodologies in an accessible manner, but also models the applicability of such approaches
- Includes supplementary material: sn.pub/extras
- Includes supplementary material: sn.pub/extras
Part of the book series: Pop Music, Culture and Identity (PMCI)
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Table of contents (11 chapters)
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Front Matter
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Back Matter
About this book
Authors and Affiliations
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Chapman University, Orange, USA
Kenneth L. Shonk, Jr.
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University of Wisconsin–La Crosse, La Crosse, USA
Daniel Robert McClure
About the authors
Daniel Robert McClure is Adjunct Professor at the University of California, Irvine, Chapman University, and California State University, Fullerton.
Kenneth L. Shonk, Jr. is Assistant Professor of World History and Social Studies Education at the University of Wisconsin-La Crosse.
Bibliographic Information
Book Title: Historical Theory and Methods through Popular Music, 1970–2000
Book Subtitle: “Those are the New Saints”
Authors: Kenneth L. Shonk, Jr., Daniel Robert McClure
Series Title: Pop Music, Culture and Identity
DOI: https://doi.org/10.1057/978-1-137-57072-7
Publisher: Palgrave Macmillan London
eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)
Copyright Information: The Editor(s) (if applicable) and The Author(s) 2017
Hardcover ISBN: 978-1-137-57071-0Published: 05 September 2017
eBook ISBN: 978-1-137-57072-7Published: 17 August 2017
Series ISSN: 2634-6613
Series E-ISSN: 2634-6621
Edition Number: 1
Number of Pages: XII, 311
Topics: Cultural Theory, Music, Popular Culture