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Palgrave Macmillan
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The Migration and Politics of Monsters in Latin American Cinema

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  • © 2018

Overview

  • Relates to general discourses in Latin American Film, Horror Film, Latin American Cultural Studies, Transnational Studies, and Immigration Studies
  • Details the connections between Latin American Gothic and European Gothic, as well as ways the transgressive nature of these boundaries
  • Approaches term horror from several perspectives, including the psychoanalytic analysis on the uncanny, the abject, and the monstrous-feminine

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Table of contents (6 chapters)

Keywords

About this book

The Migration and Politics of Monsters in Latin America proposes a cinematic cartography of contemporary Latin American horror films that take up the idea of the American continent as a space of radical otherness, or monstrosity, and use it for political purposes. The book explores how Latin American film directors migrate foreign horror tropes to create cinematographic horror hybrids that reclaim and transform monstrosity as a form of historical rewriting. By emphasizing the specificities of the Latin American experience, this book contributes to broad scholarship on horror cinema, at the same time connecting the horror tradition with contemporary discussions on violence, migration, fear of immigrants, and the rewriting of colonial discourses.

Authors and Affiliations

  • The New School of Atlanta, Atlanta, GA, USA

    Gabriel Eljaiek-Rodríguez

About the author

Gabriel Eljaiek-Rodríguez is Head of Spanish Instruction and Latin American Studies at The New School in Atlanta, GA, USA, and Professor of Liberal Arts at Savannah College of Art and Design, USA. His research interests include horror cinema, gothic literature, migration studies, and post-humanism. He is author of Selva de fantasmas. El gótico en la literatura y el cine latinoamericanos (2017).

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