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Palgrave Macmillan
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Surveillance, Race, Culture

  • Book
  • © 2018

Overview

  • Examines technologies such as drone surveillance, webcams, metadata and the resultant effect on racial and cultural narratives
  • Acknowledges that we are often complicit with modern forms of surveillance
  • Brings together multidisciplinary readings of technological advancement into one cohesive and comprehensive volume

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Table of contents (14 chapters)

Keywords

About this book

This collection of essays engages with a wide range of disciplines including art, performance, film and literature, to examine the myriad effects of contemporary surveillance on our cultural psyche. The volume expertly articulates the manner in which cultural productions have been complicit in watching, seeing and purporting to ‘know’ race. In our increasingly mediated world, our sense of community is becoming progressively virtual, and surveillant technologies impact upon subjectivity, resulting in multiple forms of artistic and cultural expression. As such, art, film, and literature provide a lens for the reflection of sociocultural concerns. In Surveillance, Race, Culture Flynn and Mackay skilfully draw together a diverse range of contributions to investigate the fundamental question of exactly how surveillant technologies have informed our notions of race, identity and belonging. 

Editors and Affiliations

  • University of the Arts London, London, United Kingdom

    Susan Flynn

  • Oxford Brookes University , Oxford, United Kingdom

    Antonia Mackay

About the editors

Susan Flynn is Senior Lecturer in Media Communications at the University of the Arts, London, UK. She specialises in digital media, identity and equality studies.


Antonia Mackay is Associate Lecturer in English Literature at Oxford Brookes University, UK, specialising in American literature, culture and theatre.




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