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Live and Recorded

Music Experience in the Digital Millennium

  • Book
  • © 2018

Overview

Authors:
  1. Yngvar Kjus

    1. Department of Media and Communication, University of Oslo, Oslo, Norway

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  • Based on interviews with artists, intermediaries or industry professionals, and audience members
  • Includes quantitative data on the use of online music services for live concert events
  • Presents a wide and evolving range of possibilities for musical agency and experiences afforded by the use of digital media

Part of the book series: Pop Music, Culture and Identity (PMCI)

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Table of contents (6 chapters)

  1. Front Matter

    Pages i-ix
    Download chapter PDF

  2. Setting the Scene

    • Yngvar Kjus
    Pages 1-23

  3. Music, Media, and Mentalization

    • Yngvar Kjus
    Pages 25-49

  4. Creating Studios on Stage

    • Yngvar Kjus
    Pages 51-70

  5. Immersing in Performances and Recordings

    • Yngvar Kjus
    Pages 71-118

  6. Bridging Concerts and Records

    • Yngvar Kjus
    Pages 119-146

  7. The Live, the Dead, and the Digital

    • Yngvar Kjus
    Pages 147-167

  8. Back Matter

    Pages 169-184
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Keywords

About this book

This book uncovers how music experience–live and recorded–is changing along with the use of digital technology in the 2000s. Focussing on the Nordic region, this volume utilizes the theory of mentalization: the capacity to perceive and interpret what others are thinking and feeling, and applies it to the analysis of mediated forms of agency in popular music. The rise of new media in music production has enabled sound recording and processing to occur more rapidly and in more places, including the live concert stage. Digital technology has also introduced new distribution and consumption technologies that allow record listening to be more closely linked to the live music experience. The use of digital technology has therefore facilitated an expanding range of activities and experiences with music. Here, Yngvar Kjus addresses a topic that has a truly global reach that is of interest to scholars of musicology, media studies and technology studies.

Authors and Affiliations

  • Department of Media and Communication, University of Oslo, Oslo, Norway

    Yngvar Kjus

About the author

Yngvar Kjus is a researcher in the Department of Media and Communication at the University of Oslo, Norway.



Bibliographic Information

  • Book Title: Live and Recorded

  • Book Subtitle: Music Experience in the Digital Millennium

  • Authors: Yngvar Kjus

  • Series Title: Pop Music, Culture and Identity

  • DOI: https://doi.org/10.1007/978-3-319-70368-8

  • Publisher: Palgrave Macmillan Cham

  • eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)

  • Copyright Information: The Editor(s) (if applicable) and The Author(s) 2018

  • Hardcover ISBN: 978-3-319-70367-1Published: 20 February 2018

  • Softcover ISBN: 978-3-319-88927-6Published: 10 May 2019

  • eBook ISBN: 978-3-319-70368-8Published: 09 February 2018

  • Series ISSN: 2634-6613

  • Series E-ISSN: 2634-6621

  • Edition Number: 1

  • Number of Pages: IX, 184

  • Number of Illustrations: 1 illustrations in colour

  • Topics: Music, Popular Culture , Digital/New Media

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