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  • © 2017

Bad Girls and Transgressive Women in Popular Television, Fiction, and Film

Palgrave Macmillan
  • Investigates whether bad-girl behavior as represented in popular texts is truly transformative and empowering, or simply playing in to a commercialized and ultimately non-threatening reestablishment of women’s traditional roles
  • Offers perspectives on the figure of the transgressive woman across a variety of media and periods of time while maintaining a clarity in perspective
  • Explores how attitudes toward transgressive women have shifted across time in some areas but remained static in others

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Table of contents (13 chapters)

  1. Front Matter

    Pages i-xvi
  2. Domestic Arts

    1. Front Matter

      Pages 73-73
  3. Back Matter

    Pages 283-289

About this book

This collection of essays focuses on the representations of a variety of “bad girls”—women who challenge, refuse, or transgress the patriarchal limits intended to circumscribe them—in television, popular fiction, and mainstream film from the mid-twentieth century to the present. Perhaps not surprisingly, the initial introduction of women into Western cultural narrative coincides with the introduction of transgressive women. From the beginning, for good or ill, women have been depicted as insubordinate. Today’s popular manifestations include such widely known figures as Lisbeth Salander (the “girl with the dragon tattoo”), The Walking Dead’s Michonne, and the queen bees of teen television series. While the existence and prominence of transgressive women has continued uninterrupted, however, attitudes towards them have varied considerably. It is those attitudes that are explored in this collection. At the same time, these essays place feminist/postfeminist analysis in a largercontext, entering into ongoing debates about power, equality, sexuality, and gender.

Editors and Affiliations

  • Tarleton State University, Stephenville, USA

    Julie A. Chappell, Mallory Young

About the editors

Julie A. Chappell is Professor of English at Tarleton State University, USA. Her writing has focused primarily on women’s lives and texts from the fourteenth to the eighteenth centuries. She is author or co-editor of many books of scholarship as well as original poetry, including the monograph Perilous Passages: The Book of Margery Kempe, 1534-1934.

Mallory Young, Professor of English at Tarleton State University, USA, has published work on a wide variety of subjects, including European women’s films and popular representations of Marie Antoinette. She is co-editor of Chick Lit: The New Woman’s Fiction and Chick Flicks: Contemporary Women at the Movies.

Bibliographic Information

Buy it now

Buying options

eBook USD 79.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book USD 99.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book USD 139.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Other ways to access