Overview
- Offers the first comparative analysis of the film criticism of James Agee and James Baldwin
- Relates films at the center of debates about the history of American white supremacy on screen with analyses of contemporary films' depiction of the issue and shifting cultural moments
- Compares depictions of American white supremacy as related through the work of American and European filmmakers
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Table of contents (10 chapters)
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Front Matter
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Back Matter
Keywords
About this book
Visible and Invisible Whiteness examines the complicity between Classical Hollywood narratives or genres and representations of white supremacy in the cinema. Close readings of D.W. Griffith’s The Birth of a Nation by James Agee and James Baldwin explore these authors’ perspectives on the American mythologies which ground Griffith’s film. The intersectionality of Bordwell’s theories on Classical Hollywood Narrative versus Art Cinema and Richard Dyer’s seminal work on whiteness forms the theoretical base for the book. Featured films are those which have been undervalued or banned due to their hybrid natures with respect to Hollywood and Art Cinema techniques, such as Samuel Fuller’s White Dog and Jean Renoir’s The Southerner. The book offers comparative analyses of American studio-based directors as well as European and European émigrés directors. It appeals to scholars of Film Theory, African American and Whiteness Studies. It provides insight for readers concerned about the re-emergence of white supremacist tensions in contemporary America.
Reviews
Authors and Affiliations
About the author
Alice Mikal Craven is Associate Professor of Comparative Literature and Chair of Film Studies at The American University of Paris, France. In addition to publications on selected authors and filmmakers featured in this volume, she is co-editor of Richard Wright: New Readings in the 21st Century (Palgrave 2011) and Richard Wright in a Post-Racial Imaginary (2014), which received a 2015 Outstanding Academic Title award from Choice magazine. She has been invited to give public interventions in Paris on films such as Selma and Dear White People, and on the Black American expatriate community’s perspective on the Franco-Algerian war.
Bibliographic Information
Book Title: Visible and Invisible Whiteness
Book Subtitle: American White Supremacy through the Cinematic Lens
Authors: Alice Mikal Craven
DOI: https://doi.org/10.1007/978-3-319-76777-2
Publisher: Palgrave Macmillan Cham
eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)
Copyright Information: The Editor(s) (if applicable) and The Author(s) 2018
Hardcover ISBN: 978-3-319-76776-5Published: 15 June 2018
Softcover ISBN: 978-3-030-08285-7Published: 08 January 2019
eBook ISBN: 978-3-319-76777-2Published: 01 June 2018
Edition Number: 1
Number of Pages: XIV, 220
Number of Illustrations: 8 b/w illustrations, 9 illustrations in colour
Topics: American Cinema and TV, American Culture, African American Culture, European Cinema and TV, North American Literature, Film History