Authors:
- Unravels the political economy of music analysing private media, state-funded music festivals, self-production and digital culture as key elements in non-Western cultural contexts
- Connects the production of certain narratives to the awareness of the politics of the cultural field
- Combines discourse analysis, producers’ interviews, participant observation and field observations gathered over 4 years of research in Morocco
- Includes supplementary material: sn.pub/extras
Part of the book series: Pop Music, Culture and Identity (PMCI)
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Table of contents (6 chapters)
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Front Matter
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Back Matter
About this book
Authors and Affiliations
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Deparment of Digital Humanities, King’s College London, London, United Kingdom
Cristina Moreno Almeida
About the author
Bibliographic Information
Book Title: Rap Beyond Resistance
Book Subtitle: Staging Power in Contemporary Morocco
Authors: Cristina Moreno Almeida
Series Title: Pop Music, Culture and Identity
DOI: https://doi.org/10.1007/978-3-319-60183-0
Publisher: Palgrave Macmillan Cham
eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)
Copyright Information: The Editor(s) (if applicable) and The Author(s) 2017
Hardcover ISBN: 978-3-319-60182-3Published: 02 October 2017
Softcover ISBN: 978-3-319-86798-4Published: 11 August 2018
eBook ISBN: 978-3-319-60183-0Published: 15 September 2017
Series ISSN: 2634-6613
Series E-ISSN: 2634-6621
Edition Number: 1
Number of Pages: IX, 181
Number of Illustrations: 7 b/w illustrations
Topics: Music, Popular Culture , Global/International Culture, African Culture