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  • © 2017

The Fascination with Unknown Time

Palgrave Macmillan
  • The first extended study on the nature of "unknown time," or the idea of time that is imperceptible or not easily measured

  • Provides perspectives from a wide range of different disciplinary backgrounds, including history, religious studies, palaeontology, musicology, literary studies, film studies, and photography

  • Illustrates how different media over different historical periods and global regions have similar central concerns on perceptions on the concept of time and its deconstruction

  • Includes supplementary material: sn.pub/extras

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Table of contents (13 chapters)

  1. Front Matter

    Pages i-xxi
  2. Time in the Making: Why All the Fuss About Time? On Time, the Unknown, and Fascination

    • Sibylle Baumbach, Lena Henningsen, Klaus Oschema
    Pages 1-20
  3. Future Pasts

    1. Front Matter

      Pages 231-231
    2. The Time-Image and the Unknown in Wong Kar-wai’s Film Art

      • Dorothee Xiaolong Hou, Sheldon H. Lu
      Pages 233-249
    3. Suspense in the Cinema: Knowledge and Time

      • Hauke Lehmann
      Pages 251-271
  4. Back Matter

    Pages 293-300

About this book

This volume explores 'unknown time' as a cultural phenomenon, approaching past futures, unknown presents, and future pasts through a broad range of different disciplines, media, and contexts. As a phenomenon that is both elusive and fundamentally inaccessible, time is a key object of fascination. Throughout the ages, different cultures have been deeply engaged in various attempts to fill or make time by developing strategies to familiarize unknown time and to materialize and control past, present, or future time. Arguing for the perennial interest in time, especially in the unknown and unattainable dimension of the future, the contributions explore premodern ideas about eschatology and secular future, historical configurations of the perception of time and acceleration in fin-de-siècle Germany and contemporary Lagos, the formation of ‘deep time’ and ‘timelessness’ in paleontology and ethnographic museums, and the representation of time—past, present, and future alike—in music, film, and science fiction.


Editors and Affiliations

  • Department of English, University of Innsbruck, Innsbruck, Austria

    Sibylle Baumbach

  • Department of Chinese Studies, University of Freiburg, Freiburg, Germany

    Lena Henningsen

  • Department of History, Ruhr University Bochum, Bochum, Germany

    Klaus Oschema

About the editors

Sibylle Baumbach is Professor of English Literature at Innsbruck University, Austria.

Lena Henningsen is Professor of Chinese Studies at the Albert Ludwig University of Freiburg, Germany.

Klaus Oschema is Professor of Medieval History at Ruhr-University Bochum, Germany.

All editors are members or alumni of the German Young Academy (Die Junge Akademie).

Bibliographic Information

Buy it now

Buying options

eBook USD 79.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book USD 99.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book USD 99.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Other ways to access