Sinophone-Anglophone Cultural Duet

This book examines the paradox of China and the United States’ literary and visual relationships, morphing between a happy duet and a contentious duel in fiction, film, poetry, comics, and opera from both sides of the Pacific. In the 21^st century where tension between the two superpowers escalates, a gaping lacuna lies in the cultural sphere of Sino-Anglo comparative cultures. By focusing on a “Sinophone-Anglophone” relationship rather than a “China-US” one, Sheng-mei Ma eschews realpolitik, focusing on the two languages and the cross-cultural spheres where, contrary to Kipling’s twain, East and West forever meet, like a repetition compulsion bordering on neurosis over the self and its cultural other. Indeed, the coupling of the two—duet-cum-duel—is so predictable that each seems attracted to and repulsed by its dark half, semblable, (in)compatible for their shared larger-than-life-ness.

• Comparative Cultural Studies
• China-US Relations
• Transpacific
• Doppelganger
• Global Culture
• sinophone
• anglophone
• Sino-Anglo
• semblable
• cross-cultural

• Department of English, Michigan State University, East Lansing, USA

  Sheng-mei Ma

Sheng-mei Ma is Professor of English at Michigan State University, USA, specializing in Asian Diaspora and East-West comparative studies. His books in English include: The Last Isle (2015); Alienglish (2014); Asian Diaspora and East-West Modernity (2012); Diaspora Literature and Visual Culture (2011); East-West Montage (2007); The Deathly Embrace (2000); and Immigrant Subjectivities in Asian American and Asian Diaspora Literatures (1998).

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