Editors:
- Addresses circulations of the moving image in the global experimental cinema underground
- Raises important questions surrounding the economic and legal aspects of image circulation in an age of digital dissemination
- Questions the suitability of cinema copyright enforcement anchored in local legal traditions of Western industrialized nations
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Table of contents (13 chapters)
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Front Matter
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Informal Economies: Promises and Threats of Dissemination Technologies
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Front Matter
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Informal Networks: National-Regional-Global Nexus
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Front Matter
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Informal Aesthetics: Reshaping Cine-Cultures
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Front Matter
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Back Matter
About this book
Editors and Affiliations
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Philipps-University Marburg, Marburg, Germany
Malte Hagener, Alena Strohmaier
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Goethe University, Frankfurt, Germany
Vinzenz Hediger
About the editors
Vinzenz Hediger is a professor of cinema studies at Gothe Universität Frankfurt. He is the founding editor of the Zeitschrift für Medienwissenschaft and one of the co-founders of the European Network of Cinema Studies (NECS).
Alena Strohmaieris a Research Fellow in the BMBF research network "Re-Configurations". She is currently a member of the NECS Steering Committee and in the editorial team of META Journal.
Bibliographic Information
Book Title: The State of Post-Cinema
Book Subtitle: Tracing the Moving Image in the Age of Digital Dissemination
Editors: Malte Hagener, Vinzenz Hediger, Alena Strohmaier
DOI: https://doi.org/10.1057/978-1-137-52939-8
Publisher: Palgrave Macmillan London
eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)
Copyright Information: The Editor(s) (if applicable) and The Author(s) 2016
Hardcover ISBN: 978-1-137-52938-1Published: 20 December 2016
eBook ISBN: 978-1-137-52939-8Published: 30 November 2016
Edition Number: 1
Number of Pages: XVII, 233
Number of Illustrations: 15 illustrations in colour
Topics: Film Theory