Authors:
Offers comprehensive and sophisticated argument that expands and critiques discussions of audience participation in digital media and audience labour in the digital age
Provides a framework for understanding emerging cultural practices and media engagement
Brings an understanding the work of the Frankfurt School in the digital age
Demonstrates how critical theory can be used to explore contemporary issues of
audience and the culture industry
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Table of contents (7 chapters)
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Front Matter
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Back Matter
About this book
participation can take place. It is these platforms that become spaces of controlled access to participatory cultural practices.
Authors and Affiliations
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Institute for Culture and Society, Western Sydney University, Penrith, Australia
Emma Keltie
About the author
Emma Keltie is a research officer at the Institute for Culture and Society at Western Sydney University, Australia. She managed the Engaging Creativity through Technologies project as part of the Young and Well Cooperative Research Centre, and prior to joining Western Sydney University worked as a lecturer in communication and cultural theory. Her research interests include participatory culture, the role of technology in the mental health and well-being of young people, digital storytelling, and media convergence.
Bibliographic Information
Book Title: The Culture Industry and Participatory Audiences
Authors: Emma Keltie
DOI: https://doi.org/10.1007/978-3-319-49028-1
Publisher: Palgrave Macmillan Cham
eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)
Copyright Information: The Editor(s) (if applicable) and The Author(s) 2017
Hardcover ISBN: 978-3-319-49027-4Published: 27 January 2017
Softcover ISBN: 978-3-319-84071-0Published: 04 May 2018
eBook ISBN: 978-3-319-49028-1Published: 19 January 2017
Edition Number: 1
Number of Pages: IX, 152
Topics: Cultural Policy and Politics, Media Policy, Australasian Culture, Media and Communication